Ascenseur Pour L'Echafaud Electronic blues-drenched tenor saxophone backed by

blues-drenched tenor saxophone backed by organist Shirley Scott

switching mood and genre almost from one bar to the next without being overcrowded or showy

and Louis Hayes

Much like most of the band’s output to date

circa 2011–2012

Ascenseur Pour L'Echafaud Electronic blues-drenched tenor saxophone backed byAscenseur Pour Lchafaud was Miles Davis groundbreaking foray into modal jazz. The French film noir may be long forgotten, but Miles Davis soundtrack remains a groundbreaking development in this particular jazz sub genre. It opened up a new gateway to both composition and improvisation, which Miles Davis would explore again on the 1958 track Milestones and in much more depth a year later, on the groundbreaking album Kind Of Blue.