[LARGE PLATE (PLATTER)] HIBIKI ASH GLAZE SANSAI PLATE 210 | DAINICHI | KYOTO-KIYOMIZU WARES 肥前吉田焼 While researching the project’s Japanese

While researching the project’s Japanese cultural backdrop

It is a grater that realizes an angle that is easy to rub with precise calculation and craftsmanship

a lunch box

Leon Ransmeier A mug (dark blue) that feels as if you are touching the soil

37"(100cm) Weight 0

[LARGE PLATE (PLATTER)] HIBIKI ASH GLAZE SANSAI PLATE 210 | DAINICHI | KYOTO-KIYOMIZU WARES 肥前吉田焼 While researching the project’s JapaneseShigeo Takemura It is a "platter" with a beautiful color of ash glaze that has become glassy with glaze accumulated in the center of the plate. The carvings around the edges and the blue and brown decorations are accented. The pattern of blue glaze flowing on the outside gives the bowl a change. I make my own natural ash glaze by turning sunflowers that I have grown into ash and mixing them with burned ash such as grapes, sunflowers, and figs.